Nussbaum, Martha, and . The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy

2001, Cambridge University Press .

Back matter: This book is a study of ancient views about ‘moral luck’. It examines the fundamental ethical problem that many of the valued constituents of a well-lived life are vulnerable to factors outside a person’s control, and asks how this affects our appraisal of persons and their lives. The Greeks made a profound contribution to these questions, yet neither the problems nor the Greek views of them have received the attention they deserve. This book thus recovers a central dimension of Greek thought and addresses major issues in contemporary ethical theory. One of its most original aspects is its interrelated treatment of both literary and philosophical texts. The Fragility of Goodness has proven to be important reading for philosophers and classicists, and its non-technical style makes it accessible to any educated person interested in the difficult problems it tackles.

Comment: Apart from offering an in-depth study of moral luck, the book presents interesting criticisms of Plato's ethics and commentaries on Aristotle.

Rand, Ayn, and . The Romantic Manifesto: A Philosophy of Literature

1969, New York, World Pub. Co.

Publisher’s note: In this beautifully written and brilliantly reasoned book, Ayn Rand throws a new light on the nature of art and its purpose in human life. Once again Miss Rand eloquently demonstrates her refusal to let popular catchwords and conventional ideas stand between her and the truth as she has discovered it. The Romantic Manifesto takes its place beside The Fountainhead as one of the most important achievements of our time.

Comment: Teaching this text might be quite challenging, as the theory proposed is very revisionist. The text can be inspiring in two ways. Firstly, it can encourage a discussion on the status of the avant-garde and most abstract art forms – some students will likely share the sentiment that many such works are not art. Second, Rand’s definition has clear normative undertones: it is not only about what art is, but about what art is for and what its purpose should be. It might be instructive to use her text to inspire a discussion on whether we should expect definitions of art to cover these points.